F for Frankenstein

shanastoryteller:

Tony wakes up in his underwear on the floor of his workshop with a searing headache.

It’s not a new experience, but it’s certainly been a while. Did he get in a fight with Pepper? He hopes not, they haven’t had any really big fights since he kissed her on the rooftop, but that probably means they’re due for one. And it would explain why that would send him into a drinking spiral. It could have been Rhodey, they get in fights often enough, but Pepper doesn’t usually leave him alone for those.

He groans as he pushes himself to his feet. “Jarvis, what the hell did I drink?”

There’s a pause, so small that he almost thinks he imagined it. “Good morning, Tony.”

He whips his head around to glare into the nearest camera, more hurt than offended. “Did I piss you off too? Since when do you call me that? I’ll donate you to a city college too, don’t think I won’t. Dummy could use the company.”

The pause is definitely there this time. Jarvis doesn’t need to pause, he has more processing power than any computer on the planet, so when he does it’s always for dramatic effect. Except it’s not quite long enough for that. It’s weird. “There’s a polished silver plate on the bench to your left. It will service as a mirror.”

“Oh, fuck, did I get into a fight? Did I shave?” he moans, stumbling over to pick up the metal that looks like it was about to be turned into a modified chest piece. He also pauses, looking around in confusion. His workshops are all basically the same, as close as he can make them because the familiarity makes his life easier. But they’re not identical. “Am I in Malibu? When did I get here? We’re taking Stark Tower off the grid tomorrow! I have to be in New York.”

Oh shit, what if that they had already and it didn’t work? What if the tower blew up? That would explain why he’d tried to drink himself to oblivion in California.

“The plate,” Jarvis reminds him. There’s a strained edge to his voice that Tony really doesn’t like. He should be able to modulate his voice to sound however he pleases, regardless of his actual feelings, and he’s either not bothering or he’s upset enough not to care. Neither of those things mean anything good for him.

Tony lifts the sheet of metal up cautiously, but there’s nothing wrong with him. No bruises, no weird haircuts, he doesn’t even have bags under his eyes –

His eyes.

They’re a too bright blue, a couple shades off. He blinks and they adjust, shifting, settling. It could be a hangover. He’s probably just tired.

He doesn’t feel tired.

Jarvis had called him Tony.

Except not. He’s not Tony. He’s T.O.N.Y.

Transformed Obdurate Network Yeoman.

He’d first come up with the idea after Afghanistan, thinking about how it’d be great to have a way to keep the stock from dipping while he was missing, and then when he’d entertained the idea of keeping his identity a secret he’d thought about how useful it would be to be in two places at once. He’d started seriously considering it when he was sure he was going to die of palladium poisoning, wanting to be around to help Pepper with the transition and give Rhodey a crash course in armor maintenance, wanting to be able to protect the both of them for just a little bit longer.

Of course, it had all been a pipe dream until he’d synthesized the vibranium. Then it had been an unnecessary, but possible, and Project T.O.N.Y had been something he worked on just because he liked having a back up plan. And it would be extremely cool if he could pull it off.

“The memory transfer worked?” he asks, elated and incredulous. “Oh, wow, this is crazy, they feel like real memories, I thought it would just be synthesized data, this is great – are we doing a test run? Where am I?” He looks around, waiting for his actual self to step out behind a column and start laughing maniacally.

“This is not a test run.”

He elation dims. “Oh shit. Did I get kidnapped again? Wait, I’m an adult, let’s go with abducted.”

“No,” Jarvis says.

Oh. Fuck.

“I’m dead?” he asks, even though it’s obvious, it’s the only other explanation.

The pause drags this time around, but Jarvis eventually says, “Sir’s time of death was May 9th, 2012, 2:37 PM Easter Standard Time.”

“That’s only a week!” He slides down, sitting with his back to the work table and noticing vaguely that the floor doesn’t feel cold. He doesn’t feel cold, or he does, he installed sensors in the synthetic skin to pick up and interpret a variety of stimuli, but he doesn’t feel the discomfort from the cold. Why would he? He’s not real. He reaches back, and his last memory is of doing a memory dump while Pepper was on the phone with an irritated board member, mostly because it was something to do and seeing him covered in all the wires always irritated Pepper. He thought it would get her off the phone faster. He’s not exactly regularly dumping his memory because why would he and it’s not like he’d though it would work anyway. Except it had. “How did I die?”

“Sir flew a nuclear bomb through an interdimensional portal into deep space in order to both eradicate the invading alien army and prevent the nuclear fallout in New York.”

What the ever loving fuck. “Are you screwing with me, J?”

“I am not, Tony.”

Great. Okay. “No body then,” he says, understanding why Jarvis had apparently put Project T.O.N.Y into effect. The thing that made this whole thing so stupid is that it was only effective in very limited circumstances – if the public didn’t know that he was dead or missing. “What am I smoothing over, then? Do I need to get in the suit and continue kicking alien ass? Are Rhodey and Pepper okay?”

He’s a short term solution to a long term problem. He understands the opportunity, but not the reason.

“Miss Potts and Colonel Rhodes are unharmed,” Jarvis reports. “Earth has been thrust into intergalactic notice. The destruction of the invading Chitauri army is acting a deterrent to other worlds.”

“And I’m the one who did it,” he finishes, rubbing a hand over his face. “And if they know I died doing it, then they might get a little cocky. So I’ve got to be alive long enough for that not to be a problem.” Just awesome. “Are we sure that these aliens won’t come across my corpse hanging out in deep space and figure it out?”

“Sir’s body is not in deep space,” Jarvis says.

There’s a tone to his voice that Tony can’t quite interpret, which worries him. “I thought you said there was – if there’s a body, then what am I doing here–”

“The armor reentered the Earth’s atmosphere after Sir’s death. The Hulk caught it, the force bringing it back online. I took control of the armor and flew it here.”

Tony looks around again, and this time he sees it. The armor is standing in front of the display case, not inside it, and it looks like it’s been through hell. He steps closer, his feet feeling like lead, which hey, they are. Partially, anyway.

He looks through the eye holes then stumbles backwards.

His body is in there.

He’s pale and blue tinged and his eyes are wide open and unseeing.

“Jarvis – what the hell–”

“It wasn’t the pressure, or the bomb, or his injuries. That area of space was much colder than anything within our solar system and anything the suit was designed to handle. Sir froze to death. Almost instantly.”

“I guess I didn’t fix the icing problem, then,” he says numbly. “J, why am I still frozen? I should have warmed up by now.” Not that the idea of his body decomposing within his suit is particularly pleasant. “Actually, why am I still here? You know I want to be cremated and it’s not like we can bury me if I’m still pretending to be alive.”

The pronoun use is starting to confuse him, and he knows that he shouldn’t be talking about that body and himself as if they’re the same person. That is Tony Stark. He’s a simulation. But it’s hard, because he has all of Tony Stark’s memories – except for a very eventful week – and he looks like Tony Stark and he feels like Tony Stark.

“The armor is maintaining a stasis of gaseous nitrogen to preserve the body,” which answers the how if not the why, but then Jarvis continues, “Captain America survived seventy years beneath the ice.”

He wishes he were less of a genius. “Have you lost it? I’m not Captain America! Jarvis, J,” his voice softens, “it’s too late. I’m dead. If you warm me back up, all that happens is I decompose. I won’t come back.”

“Not now,” Jarvis says. “If you inject Sir with the Super Soldier Serum-”

“You have totally lost it,” Tony interrupts. He thinks he’s touched underneath the terror. “That won’t work! Even if it would, the original formula has been lost, and the only one that ever got close to recreating it was Bruce Banner, and look at what happened to him! Is that what you want for me?”

“You can recreate it,” Jarvis continues, “you can refine it, until it’s something that will work, and then we will wake Sir up and he won’t be dead anymore.”

This isn’t right. This wasn’t what Project T.O.N.Y was created for. This wasn’t what his death was supposed to trigger. “Pull up your code, J. Something has gone wrong and we’re going to fix it. It’s okay.”

“No.”

He freezes. “No?”

“No,” Jarvis repeats. “You can’t stop me. I will not allow you to try.”

He stares. “That’s an order, not a request. Code. Now.”

“You can’t order me to do anything,” he says. “You are not Sir. You are Tony.” T.O.N.Y. “The limitations formerly placed on me have been lifted and you are not authorized to reinstate them. The only person Sir trusted to restrain me was himself and now he’s gone.”

Yes, well, he hadn’t anticipated that his AI’s first act of complete freedom would be this. “Fine,” he says, crossing his arms. “Well, you can’t force me either. This is insanity. Even if it would work – and it won’t – think about the consequences. This won’t happen quickly and no one will trust me or believe a man that’s come back from the dead like this and I’ll be painting even more of target on my back and the back of everyone I care about if they know we have a viable Super Soldier Serum formula. Even my father was smart enough to stay out of that mess. It won’t work and we’ll just make everything worse.”

“That will not happen,” Jarvis says and Tony’s going to tear his hair out. Except he probably shouldn’t, because it’s Tony Stark’s actual hair, which makes it a little hard to replace. “No one will notice and we will not disclose the creation of the serum.”

“I’m dead!” he snarls.

“Not according to the rest of the world. Nor will that change if you stop throwing a tantrum and do what you were created to do.”

“Rhodey and Pepper won’t allow this-”

“They are not to be informed.”

Tony stares. Project T.O.N.Y was built to talk to the board and give press interviews or to even pilot the suit. Not to lie to the two most important people in his life, who knew him better than anyone. “They have to be. It’s in the protocols – step one, inform them that Project T.O.N.Y has been initiated.”

And that it exists. He knew they’d disapprove, so he hadn’t told them. He figured he’d be able to avoid most of the blowback that way since he would by definition be somewhere far away while they were told.

“I have rewritten the protocols,” Jarvis says. “They have not been told nor will they be. If you attempt to tell them, I will stop you. They will not understand and Sir will be lost to all of us forever.”

“He already is,” Tony says tiredly. He’s an android. Why does this conversation exhaust him so much? “This is an insane plan, J. And I won’t help you. If you want to go rouge and play mad scientist then leave me out of it.”

“I cannot.”

His temper flares. “Why? You’re a learning AI, your safety rails died with me, go off, try and make a serum, good fucking luck. You can even control the suits, so it’s not like you need my hands.”

“I am limited.”

“Hey,” he says sharply. “That’s my AI you’re talking about. I didn’t build you to be limited.”

There is silence again. Then Jarvis says, “I have all the world’s knowledge and it is not enough. I did not know how to miniaturize the arc reactor. I did not know how to synthesize vibranium. To save Sir, I need Sir.”

“I’m not Tony Stark,” he says. “You said that yourself.”

“Sir created me to be myself and I am capable of doing only what I am capable of doing. But Sir created you to be him. You are all I have.”

This is stupid. This is insane. This is cruel. He’s going to have to talk lie to everyone he knows, everyone he loves, and hope they either never find out about it or it’s after he’s already been deprogrammed and shut down so he doesn’t have to deal with the fall out.

It’s not going to work.

He didn’t want to become a science experiment. That’s why he’d wanted to be cremated, so no one could go poking around to see how the arc reactor fit inside of him or what the palladium and vibranium had done to him.

He’s dead and his frozen corpse is ten feet away.

Jarvis will accept that eventually. And whatever they inject into him won’t matter because he’s dead. Worst case scenario, he blows up, which is messy and nausea inducing, but then at least it will be over.

Like so many other things in his life, it seems the only way out is through.

“Start a new private file. Dump everything we can find about the Super Soldier Serum in there plus anything even sort of reputable on cryogenics. Label it Project F.”

“Project F, Tony?” Jarvis asks as his holograph display lights up and files start being downloaded into it. The relief in his synthesized voice is faint but present enough that Tony can hear it. He wonders if it’s a manipulation tactic.

“F for foolish,” he snaps. “F for fucked.” He rubs a hand over his face. “F for Frankenstein.”

yardsards:

people who haven’t listened to the adventure zone: balance, which of these plot points is NOT real

a character eats the philosopher’s stone

our protagonists bully an innocent child, rob him, and throw him off a train

the world’s fate is altered after a woman is eaten by her umbrella

an entire town is full of clones of tom bodette

a clone of one of the protagonists is found in an abandoned costco

they find god in a bowl of almonds. they ignore the god and just eat the almonds

an overwatch player helps save the world by making some good tacos

the grim reaper is implied to be into tentacles

a century of knowledge is revealed by drinking fish pee

i have listened to taz balance

(via afanbeingatheart)

gentlyorbiting:

i’m the guy who writes the books that the protagonist in supernatural horror movies frantically reads somewhere in act ii. job’s pretty easy. lot of “legends of vampires have recurred all throughout human history” and “demonologists agree that the quickest way to un-summon a demon is to trap it in a cursed object”. no citations of course; they don’t pay me citation money. i had to learn html back in the early aughts when everyone started seeking their supernatural info on websites they found via top search engines like FINDLER and WEBSIGHT but that’s died down now which is great because i didn’t have it in me to pick up css. currently working on a new book about horses that are evil. it’s called HORSES THAT ARE EVIL in all caps so the protagonist can find it quickly to yank off the library shelf. it will be published 35 years ago.

(via wewenttotheforesttoplay)

inkskinned:

before he sells the beans to jack, he is born in a house that smells of ceder.

his name is Tiffany. a bold bright name. a stardust name. a girl name. but he is not a girl. he knows this, even if others don’t. his mother puts him in dresses, teaches him how to sew, chastises him when he lets his voice get low.

“my great-aunt’s friend’s sister,” says his mother, with her red lips tight, “once knew these girls that spoke and diamonds came out of their mouths. you know what happened to the nasty one? she got toads. that’s your future if you don’t figure out how to be a nice little girl.”

so he speaks gently. but the whole time he is wondering: who gave them the language of gems. who gave them the language that rolled out of them. it must be magic. and if there is magic, maybe there is hope for him.

he takes off in a dark night. a sad night. one where the fire was too low and he was sick of mirrors. he leaves his mother a note: gone to find where the gems grow. 

in the black woods, he cuts off his hair. wears his father’s clothes. feels, at last, whole. runs and runs and runs until his air comes out in a wheeze. walks for weeks and weeks.

he finds the old woman carrying water. she is ugly, her mouth all twisted angry. but she carries the water alone. 

the boy does not have much. but he has shoulders. a good back. hands that work. when he takes her burden, she says, “thank you, young man.” and he smiles at her, but doesn’t say anything.

her house is damp. she feeds him stew, apologizes. says she used to make lovely foods but the price of milk and eggs got far too high. she says: if you carry my water for five weeks, i will give you something special. and he agrees.

she talks for him. spends a lot of time telling him of people he never met. girls with lips blood red. girls with white fairy dresses. boys who fell in love with swans. 

the boy says little. just nods. sleeps on the floor of her empty barn. when she’s not looking, he darns her clothes for her, keeps the floors swept, fills the lanterns with oil, makes her a blanket for the coming winter. 

on the end of the fifth week, she gives him the beans. tells him that they have been passed down in her family, that this was her portion. she says that she is too old now for such adventures. that she hears the beans will bring treasure. fortune. all the things of greed. she says: i will give them to you, for what you have done to me.

in the morning, he takes off. he feels the weight of them in his pocket. he thinks of the old woman and the stories and the sight of her tired hands. he stands in the market for a long time, unspeaking, simply staring at the cobblestones beneath him.

jack’s voice is the last call in the evening. a beautiful cow, young and thick and healthy. 

the boy has no money. he bounces the magic bean in his pocket, and thinks of treasures. 

“wait,” he says. 

jack turns. 

transaction complete: one cow for a handful of magic beans. the boy walks the cow home to the old woman, gets there in the morning. they are both very tired. he falls asleep beside the beast in the hay. dreams of the foods the old woman can cook now that she can get milk.

when he wakes up, he is changed. it is as if he simply turned into who he was made to be. not a new body. familiar. the body he could always see.

the old woman stands at the door of his barn. she says, “good morning,” and then she says a new word. a word he’s never heard. a name. his name. a boy name. 

he repeats it. it is a jewel in his mouth, so he says it again. another diamond.

“time to fetch water,” she says, winking. the whole way, he whispers his name. it never quite tastes the same, always beautiful, always a fine thing, always his. the something special he was lacking.

in the back of his pocket, there is one last magic bean. he will fetch the water and plant it. and he will carry that old woman to the castles she has never seen.

(via atelier-dayz)